Palanca al Brazo: Difference between revisions
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*[[Masato Yoshino]]'s ''Byakuya'' (Modified figure-four armbar) | *[[Masato Yoshino]]'s ''Byakuya'' (Modified figure-four armbar) | ||
*[[Hana Kimura]]'s ''[[Octopus Hold|Hydrangea]]'' | *[[Hana Kimura]]'s ''[[Octopus Hold|Hydrangea]]'' | ||
*[[Disturbio]]'s ''La Guitarra de Disturbio'' ([[cruceta]] combo w/ theatrics) | |||
[[Category:Moves]][[Category:Submissions]] | [[Category:Moves]][[Category:Submissions]] | ||
Latest revision as of 10:09, 29 September 2026
Literally, "Armbar". Covers multiple wristlock submissions that hyperextend the elbow (as opposed to holds like the Hammerlock or Chickenwing Armlock, which hyper-roate it). Varies mostly based on the position of the wrestler applying the hold.
Variants include:
- Cross Armbreaker
- Fujiwara Armbar
- Doble Palanca
- El Amarre
- La Ayakita
- Black Man Special
- Cerrajera
- Cruz Nipona
- La Corona del Halcón
- La Alteña
- Reverse Bow-and-Arrow Submission
- El Remo
- Mendoza Special
- La Alejandrina?
- La Estaca Mortal?
- La Palanca Infernal?
- La Lagunera?
- La Consentida?
- Neptuna Special?
- Villano V's step over armbar
- Kensuke Sasaki's Strangle Hold Gamma (added neck crank)
- Brazo de Oro's La Bracina
- Valiente's seated armbar
- Masato Yoshino's Byakuya (Modified figure-four armbar)
- Hana Kimura's Hydrangea
- Disturbio's La Guitarra de Disturbio (cruceta combo w/ theatrics)
